Document ID ET-D434
| Archive Location | ET PROGS ET-D418a-551;561a-589, 1899-1911 (BL) Loan 125/23A/1 |
|---|---|
| Document description | programme |
| Date | 1 September 1906 |
| Document form | D - Programme |
| Document attributes | Annotated |
| Production Date(s) | Saturday 1 September 1906 |
| Venue | His Majesty's Theatre |
| Time of performance | 8.15pm |
| Stage Manager | Cecil King |
| Costume Maker | B. J. Simmons |
| Costume Designer | Percy Macquoid |
| Choreographer | Louis D'Egville |
| Music Director | Adolf Schmid |
| General notes | Ellen Terry in cast. |
| Language | English |
Works Cited
| Title | The Winter's Tale |
|---|---|
| Original author | William Shakespeare |
Document ID ET-D434, Image 1 of 8
His Majesty's Theatre Proprietor and Manager – Mr. Tree. Saturday, September 1st, and Every Evening. Mr. Tree's Twelfth Shakespearean Production – The Winter's Tale.
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Document ID ET-D434, Image 2 of 8
Programme of Charles Kean's production of "The Winter's Tale" at The Princess's Theatre in 1856. The free list is entirely suspended. Monday May 19th, & During the week, The Performers will commence with [?][?][?][?][?][?][?][?][?][?][?][?] A New [?] in One Act, by C. Dance. Esq. called The Victor Vanquished. Charles the Twelfth King of Sweden, (under the [?] Name of the [?] [?] - Mr. Frank Matthews, Baron de [?] (his secretary) - Mr. Barley, Servant - Mr. Daly, [?] (Niece of the [?] a [?]) - Miss Carlotta [?]. After which will be presented (19th, 20th, 21st, 22nd, 23rd & 24th [?]) Shakespeare plat of the Winters Tale. (The performance terminates by a quarter-part [?]). The Scenery under the Direction of Mr. Grieve, and painted by Mr. Grieve, Mr. W. Gordon, Mr. F. Lloyds, Mr. Cuthbert, Mr Dates, Mr Morgan, Mr C. Gordon and numerous Assistants. The overture and music composed for the [?] by Mr. J. l. Matton. The Dresses and [?] by Mr. Oscar [?]. The Decorations and Appointments by Mr. [?]. W. Bradwell. The Dresses by Mrs and Miss [?]. The Machinery by Mr. [?] [?], [?] Mr [?] of No 13, New Bond Street. For Authorities for Costumes, see End of the Book, Published & Sold in this Theatre. [?] (King of [?]) – Mr. Charles Kean, [?] (his son) – Miss Ellen Terry, ([?] Lords), Camillio – Mr. Graham, Antigonus – Mr. Cooper, Cleomence – Mr. J. F. Cathcart, Dion – Mr. Q. Everett, Two other Sicillian Lords – Mr. Barsby and Mr. Raymond, Elder of the [?] - Mr. Rolleston, Officer of the Court of Judicature – Mr Terry, An Attendant on the young Prince [?] - Mr. Brazier, [?], King of Bithyata – Mr. Ryder, Flortzel (his son) – Miss Heath, [?] (a [?] Lord) – Mr H. Mellon, A [?]. Mr. Paulo Keeper of the Prison. Mr Collett, An Old Shepherd – (reputed Father of [?]) – Mr. Meadows, Clown, (his son) – Mr. H. Saker, Servant to the Old Shepherd – Miss Kate Terry, [?] (a [?]) – Mr. Harley, Time, as Chores – Mr. F. Cooke, Hermione (Queen to [?]) – Mrs. Charles Kean, Perdita (Daughter to [?] and Hermione) – Miss Carlotta [?], Pauline (Wife to [?]) – Mrs. Ternan, [?] (a Lady) – Miss Clifford, Two other Ladies (Attending on the Queen) – Miss Eglinton, Miss. M. Ternan, Shephereders, [?] - Miss. J. Brougham, [?] - Miss E. Brougham. Lords, Ladies and Attendants. [?] for a Dance, Shepherds, [?], Guards &c. Scene – Sometimes in Sicilia, Sometimes in Bithynia. Act 1 – Scene 1 – Sicilia. View of the Temple of Minerva at Syracuse (Restored). In the foreground the Fountain of Arethusa (Restored). Time- [?]. Scene 2. Banqueting Room in the Palace in which will be introduced the Pyrrhic Dance. Act 2 – Scene 1 Court of the Gynaeconitis or women's apartments. Scene 2. A Prison. One of the [?] or Prisons of Syracuse, excavated out of the Rock and known as the Ear of [?]. Scene 3. A Room in the Palace, with view of part of the city of Syracuse. The Designs of the tapestries in this Scene are taken from some of the richest [?] [?] vases discovered in the South of Italy. Act 3 – Scene, the Theatre at Syracuse prepared for The Trial of Queen Hermione. Act 4 – Scene 1 Bithynia. A desert country near the sea. A Classical Allegory, representing the Court of Time. Luna in her car, accompanied by the [?] (personified) [?] before The Approach of Phoerus, Chronos. As Time, [?] the Glove, describes the Events of the Sixteen Years supposed to have elapsed. Ascent of Phoebus in the Chariot of the Sun. Scene 2. A Room in the Palace of Polixenes. Scene 3. A Road Near the Shepherd's Farm. Scene 4. A Pastoral Scene in Bithynia with a Distant View of the City of [?], on the Lake [?]; together with the Chain of Lofty Mountains, known as the Mysian Olympus. [?] will be introduced Dance of Shepherds & Shepherdesses, and also the Festival of Dionysus (or Bacchus). Act 5. – Scene 1 – Sicilia. Garden of the Palace Leontes. This Scene is adapted from a Drawing found at [?]). Scene 2. The Tombs of Syracuse (Restored) Sunset. Scene 3. The Peristyle of Paulina's House with part of The Sculpture Gallery. Night. Shakespeare's Play of The Winter's Tale will be repeated every evening. Preceded by the Victor Vanquished. Books of Shakespeare's Play of the Winter's Tale as arranged for representation of the Royal Princesses' Theatre, with Historical and Explanatory Notes, by Charles Kean, may be had at the Box-Office of the Theatre, Price One Shilling. Stage Manager, - Mr George Eillis, Treasurer. Mr. S. Lambert. Box Book-Keeper – Mr. [?]. Dress Circle 5s. Boxes 4s. Pit 2s. Gallery, 1s. Second Price – Dress Circle, 2s. 6d., Boxes, 2s. Pit, 1s, Gal., 6d. Orchestra Stalls, 6s. Private Boxes, £2 12s. 6d, £2 2s & £1 11s 6d. Box office [?] [?] [?] a Quarter is [?] o'clock. Doors open at Half-past 6. Performances commence at 7. Private Boxes and Stalls may be obtained at the Libraries and of Mr. Massingham at the Box-Office of the Theatre Oxford Street. Any person wishing to secure places can do so by paying One Shilling [?] every party and [?] [?], which [?] will be [?] until 9 o'clock to the Boxes and in the Stalls the Whole [?]. Gallery Door in Castle Street, Children in Arms will not be admitted. [?] [?] will commence [?] [?] [?] o'clock [?] [?] [?] with the [?] [?] of the Performance. [?] [?] [?] [?] to be made to Mr. Treadaway, at the Stage Door [?][?][?][?][?][?][?][?][?][?][?][?][?][?]. Note by the Producer. The last revival of "The Winter's Tale" was that produced by Miss Mary Anderson, at the Lyceum, 1887. This production was a memorable one, for not only was it distinguished by great taste and beauty in its outward treatment, but it afforded the young American actress an opportunity of doubling the parts of Hermione and Perdita, and it would be difficult to determine whether Miss Anderson distinguished herself more by her an impressive tragedy as Hermione, or by the winning charm of her comedy as Perdita. In the character of Leontes, Mr. Forbes Robertson shared in Miss Anderson's triumph. The production of Charles Keane, in which, as is well known, Miss Ellen Terry made her first appearance on the stage, at the Princess's Theatre, was on a most elaborate scale – of its sumptuousness some idea is conveyed by the descriptive playbill issued at the time, of which are reduced facsimile reproduction will be found on the opposite page. It is often supposed that elaborate decoration is entirely of modern growth - but indeed, as will be seen by a glance at the playbill of 1856, the productions of the late Charles Kean appear to have been treated with a care for detail and a lavishness of outlay considerably in excess of our more simple methods of to-day. Following the custom of this Theatre, in regard to Shakespearean productions, the play has been compressed into three Acts. Thus Act 1. ends with the Trial Scene corresponding with Act III., Scene 2 of that printed text. It is thought that by this means an approach is made towards the Shakespearean ideal swift and coherent action. While no liberties have been taken with the text, certain novelties in the treatment have been introduced. Thus, in the Prison Scene in Act 1., the newborn child of the imprisoned Hermione is seen, and it is thought that situation may thus gain an added poignancy. Again, in the Scene outside the Shepherd's Cottage, Florizel comes in the early morning to awaken his beloved Shepherdess by throwing a posy in at her window. The young maid, nothing loth, steals forth into the dew in the company of her lover to gather flowers for her garlands. Autolycus asleep in the tall grass, awakens, for this snapper-up of unconsidered trifles rises early. The present version begins as it ends, with a solemn note – the singing of the hymn to Apollo. This hymn, it is interesting to record, was discovered, engraved on marble, At Delphi, in May 1893 by the French Archaeological School in Athens. It was composed about 278 B.C. In treating a play such as "The Winter's Tale" in which the classic element is overlapped by English medievalism some difficulty is of course experienced in deciding upon the presumed period of the play. The anachronisms in the text are numerous and well known. The introduction of the Oracle of Delphi, the Emperor of Russia mentioned as Hermione's father, the statue of Hermione presumed to be the work of an Italian Painter, Giulio Romano, the existence on a sea coast of Bohemia, the description of the sheep shearer as a "Puritan" who "sings psalms to horn pipes"; all these and others are anachronisms which prevent any definite period been assigned to the play and triumphantly vindicate the poet's superiority or indifference to the considerations of time, Space and archaeological accuracy. I have again been fortunate in securing the cooperation of Mr. Percy Macquoid, R.I., in designing the costumes and although, under the circumstances it has been impossible that's the costumes of Bohemia and Sicily should be historically contemporaneous, they are in either case absolutely representative of mediaeval Europe and classic Sicily. The music has been arranged by the Musical Director of the Theatre, Mr. Adolph Schmid. I welcome our honoured guest, Miss Ellen Terry, and the distinguished Company which surrounds her at his Majesty's Theatre during my absence. To the public I commend this, my twelfth Shakespearean production, the first production at this Theatre in which the name of the present Manager has been absent. H.B.T.
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Document ID ET-D434, Image 3 of 8
The Story of The Winter's Tale from "Tales from Shakespeare" – By Charles and Mary Lamb. Leontes, king of Sicily, and his queen, the beautiful and virtuous Hermione once lived in the greatest harmony together. So happy was Leontes in the love of this excellent lady, that he had no wish ungratified, except that he sometimes desired to see again, and to present to his queen, his old companion and school-fellow, Polixenes, king of Bohemia. Leontes and Polixenes were brought up together from their infancy, but being by the death of their fathers called to reign over their respective kingdoms, they had not met for many years, though they frequently interchanged gifts, letters and loving embassies. At length, after repeated invitations, Polixenes came from Bohemia to the Sicilian court, to make his friend Leontes a visit. At first this visit gave nothing but pleasure to Leontes. He recommended the friend of his youth to the queen's particular attention, and seemed in the presence of his dear friend and old companion to have his felicity quite completed. They talked over old times ; their school-days and their youthful pranks were remembered and recounted to Hermione, who always took a cheerful part in these conversations. When after a long stay Polixenes was preparing to depart, Hermione, at the desire of her husband, joined her intreaties to his that Polixenes would prolong his visit. And now began this good queen's sorrow ; for Polixenes refusing to stay at the request off Leontes, was won over by Hermione's gentle and persuasive words to put off his departure for some weeks longer. Upon this, although Leontes had so long know the integrity and honourable principles of his friend Polixenes, as well as the excellent disposition of his virtuous queen, he was seized with an ungovernable jealousy. Every attention Hermione showed to Polixenes, though by her husband's particular desire, and merely to please him, increased the unfortunate king's malady ; and from being a loving and a true friend, and the best and fondest of husbands, Leontes became suddenly a savage and inhuman monster. Sending for Camillo, one of the Lords of his court, and telling him of the suspicion he entertained, he commanded him to poison Polixenes. Camillo was a good man ; and he, well knowing that the jealousy of Leontes had not the slightest foundation in truth, instead of poisoning Polixenes, acquainted him with the king his master's orders, and agreed to escape with him out of the Sicilian dominions ; and Polixenes, with the assistance of Camillo, arrived safe in his own kingdom of Bohemia, where Camillo lived from that time in the king's court, and became the chief friend and favourite of Polixenes. The flight of Polixenes enraged the jealous Leontes still more ; he went to the queen's apartment, where the good lady was sitting with her little son Mamillius, who was just beginning to tell one of his best stories to amuse his mother, when the king entered, and taking the child away, sent Hermione to prison. Mamillius, though but a very young child, loved his mother tenderly ; and when he saw her so dishonoured, and found she was taken from him to be put into a prison, he took it deeply to heart, and drooped and pined away by slow degrees, losing his appetite and his sleep, till it was thought his grief would kill him. The king, when he had sent his queen to prison, commanded Cleomenes and Dion, to two Sicilian lords, to go to Delphos, there to enquire of the oracle at the temple of Apollo, if his queen had been unfaithful to him. When Hermione had been a short time in prison, she was brought to bed of a daughter ; and the poor lady received much comfort from the sight of her pretty baby, and she said to it, "My poor little prisoner, I am as innocent as you are." Hermione had a kind friend in the noble-spirited Paulina, who was the wife of Antigonus, a Sicilian Lord ; and when the lady Paulina heard her royal mistress was brought to bed she went to the prison where Hermione was confined ; and she said to Emilia, a lady who attended upon Hermione, "I pray you, Emilia, tell the good queen, if her majesty dare trust me with her little babe, I will carry it to the king its father ; we do not know how he may soften at the sight of his innocent child." "Most worthy madam," replied Emilia, "I will acquaint the queen with your noble offer ; she was wishing to-day that she had any friend who would venture to present the child to the king." "And tell her," said Paulina , "that I will speak boldly to Leontes in her defence." "May you be for ever blessed," said Emilia, "for your kindness to our gracious queen!" Emilia then went to Hermione , who joyfully gave up her baby to the care of Paulina, for she had feared that no one would dare venture to present the child to its father. Paulina took the new-born infant, and forcing herself into the king's presence, notwithstanding her husband fearing the king's anger, endeavoured to prevent her, she laid the babe at its father's feet, and Paulina made a noble speech to the king in defence of Hermione, and she reproached him severely for his inhumanity, and implored him to have mercy on his innocent wife and child. But Paulina's spirited, remonstrances only aggravated Leontes' displeasure, and he ordered her husband Antigonus to take her from his presence. When Paulina went away she left the little baby at its father's feet, thinking, when he was alone with it, he would look upon it, and have pity on its helpless innocence. The good Paulina was mistaken; for no sooner was she gone than the merciless father ordered Antigonus, Paulina's husband, to take the child, and carry it out to sea, and leave it upon some desert shore to perish. Antigonus, unlike the good Camillo, too well obeyed the orders of Lenotes; for he immediately carried the child on shipboard, and put out to sea, intending to leave it on the first desert coast he could find. So firmly was the king persuaded of the guilt of Hermione, that he would not wait for the return of Cleomenes and Dion, whom he had sent to consult the oracle of Apollo at Delphos; but before the queen was recovered from her lying-in, and from her grief for the loss of her precious baby, he had her brought to a public trial before all the lords and nobles of his court. And when all the great lords, the judges, and all the nobility of the land were assembled together to try Hermione, and that unhappy queen was standing as a prisoner before her subjects to receive their judgment, Cleomenes and Dion entered the assembly, and presented the king the answer of the oracle sealed up; and Leontes commanded the seal to be broken, and the words of the oracle to be read aloud, and these were the words: - "Hermione is innocent, Polixenes blameless, Camillo a true subject, Leontes a jealous tyrant, and the king shall live without an heir if that which is lost not be found." The king would give no credit to the words of the oracle : he said it was a falsehood invented by the queen's friends, and he desired the judge to proceed in the trial of the queen ; but while Leontes was speaking, a man entered and told him that the prince Mamillius, hearing his mother
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Document ID ET-D434, Image 4 of 8
The Winter's Tale. Leontes (King of Sicilia) – Mr. Charles Warner,
Mamillius (his son) – Master Tonge,
Sicilian Lords – Camillo – Mr. Lyn Harding,
Antigonus – Mr. J. Fisher White,
Cleomenes – Mr. Henry Williams,
Dion – Mr Keith Fraser,
Another Sicilian Lord – Mr. David Powell,
Servant to Leontes – Mr. Edward Ouston,
Officer of a Court of Judicature – Mr. Yates Southgate,
Polixenes (King of Bohemia) – Mr. Julius Knight,
Florizel (his son) – Mr. Basil Gill
A Mariner – Mr. Reginald Craven,
An Old Shepherd (reputed Father of Perdita) – Mr. William H. Day,
Clown (his son) – Mr. O.B. Clarence,
Servant to the old Shepherd – Mr. E. S. Vinden,
Gaoler – Mr. J. S. Blythe,
Autolycus (a Rogue) – Mr. C. W. Somerset,
Hermione (Queen to Leonates) – Miss Ellen Terry,
Perdita (Daughter to Leontes and Hermione) – Miss Viola Tree,
Attendants on the Queen – Emilia – Miss Florence Wells,
First Lady – Miss Frances Leighton,
Second Lady – Miss Ethel Wood,
Mopsa – Miss Bruce-Joy,
Dorcas – Miss Edith Jefferies,
Paulina (Wife to Antigonus) – Mrs. Tree. Act 1. Scene 1,
Room of State in Leontes' Palace (W. Emden). Scene 2,
A Prison (W. T. Hemsley). Scene 3,
A Room in Leontes' Palace (G. Seckmann). Scene 4,
A Court of Justice (Raphael). Act 2. Scene 1,
Bohemia. A Desert Country near the Sea (W. T. Hemsley) (A lapse of sixteen years). Monologue of "Time" Spoken by Mr. J. Fisher White. Scene 2,
Palace of Polixenes (J. Harker). Scene 3,
Before the Shepherd's Cottage (T. E. Ryan). Act 3. Scene 1,
A Sacred Grove (Raphael). Scene 2,
Gallery in Paulina's house (J. Harker). Programme of Music. Overture "The Winter's Tale) – Adolf Schmid. After Act I. Second set Old English Dances – Frederick Cowen. After Act II. Tone Picture "On the Heights" – Arthur Harvey,
Serenade – Frank Bridge. Incidental Music by Coleridge Taylor,
Andrew Levey,
Raymond Roze and Adolf Schmid. Hymn to Apollo composed about 278 B.C. Music arranged by Adolf Schmid.
The Dresses and Properties have been designed by Percy Macquoid,
R.I. The Dance in Scene 3,
Act 2 has been arranged by Louis D'Egville. The Dresses have been executed by B. J. Simmons,
King Street,
Covent Garden,
Wigs by W. Clarkson.
Matinee every Wednesday. Extra matinees, Sautrday, September 29th, and Saturday, october 13th. At 2.15.
Stage Manager,
Mr. Cecil King. Assistant Stage Manager,
Mr. David Powell. Musical Director Mr. Adolf Schmid. General Manager – Mr. Henry Dana.
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Document ID ET-D434, Image 5 of 8
was to be tried for her life, stuck with grief and shame, had suddenly died. Hermione, upon hearing of the death of this dear, affectionate child, who had lost his life in sorrowing for her misfortune, fainted ; and Leontes, pierced to the heart by the news, began to feel pity for his unhappy queen, and he ordered Paulina, and the ladies who were her attendants, to take her away, and use means for her recovery. Paulina soon returned and told the king that Hermione was dead. When Leontes heard that the queen was dead, he repented of his cruelty to her; and now that he thought his ill usage had broken Hermione's heart, he believes her innocent; and he now thought the words of the oracle were true, as he knew "if that which was lost was not found," which he concluded was his young daughter, he should be without an heir, the young prince Mamillius being dead ; and he would give his kingdom now to recover his lost daughter : and Leontes gave himself up to remorse, and passed many years in mournful thoughts and repentant grief. The ship in which Antigonus carried the infant princess out to sea was driven by a storm upon the coast of Bohemia, the very kingdom of the good king Polixenes. Here Antigonus landed, and here he left the little baby.Antigonus never returned to Sicilly to tell Leontes where he had left his daughter, for as he was going back to the ship, a bear came out of the woods, and tore him to pieces ; a just punishment on him for obeying the wicked orders of Leontes. The child was dressed in rich clothes and jewels; for Hermione had made it very fine when she sent it to Leontes, and Antigonus had pinned a paper to its mantle, with the name of Perdita written thereon, and words obscurely intimating its high birth and untoward fate. This poor deserted baby was found by a shepherd. He was a humane man, and so he carried the little Perdita home to his wife, who nursed it tenderly; but poverty tempted the shepherd to conceal the rich prize he had found: therefore he left that part of the country, that no one might know where he got his riches, and part of Perdita's jewels he bought herds of sheep, and became a wealthy shepherd. He brought up Perdita as his own child, and she knew not she was any other than a shepherd's daughter. The little Perdita grew up a lovely maiden; and though she had no better education than that of a shepherd's daughter, yet so did the natural graces she inherited from her royal mother shine forth in her untutored mind, that no one from her behaviour would have know she had not been brought up in her father's court. Polixenes, the king of Bohemia, had an only son, whose name was Florizel. As this young prince was hunting near the shepherd's dwelling, he saw the old man's supposed daughter ; and the beauty, modesty and queen-like deportment of Perdita caused him instantly to fall in love with her. He soon, under the name of Doricles, and in the disguise of a private gentlemen, became a constant visitor at the old shepherd's house. Florizel's frequent absences from court alarmed Polixenes; and setting people to watch his son, he discovered his love for the shepherd's fair daughter. Polixenes then called for Camillo, the faithful Camillo, who had preserved his life from the fury of Leontes ; and desired that he would accompany him to the house of the shepherd, the supposed father of Perdita. Polixenes and Camillo, both in disguise, arrived at the old shepherd's dwelling while they were celebrating the feast of sheep-shearing ; and though they were strangers, yet at the sheep shearing every guest being made welcome, they were invited to walk in, and join in the general festivity. Nothing but mirth and jollity was going forward. Tables were spread, and great preparations were making for the rustic feast. Some lads and lasses were dancing on the green before the house, while others of the young men were buying ribands, gloves, and such toys, of a pedlar at the door. While this busy scene was going forward, Florizel and Perdita sat quietly in a retired corner, seemingly more pleased with the conversation of each other, than desirous of engaging in the sports and silly amusements of those around them. The king was so disguised that it was impossible that his son could know him; he therefore advanced near enough to hear the conversation. The simple yet elegant manner in which Perdita conversed with his son did not a little surprise Polixenes : he said to Camillo, "This is the prettiest low-born lass I ever saw ; nothing she does or says but looks like something greater than herself, too noble for this place." Camillo replied, "Indeed she is the very queen of curds and cream." "Pray, my good friend." Said the king to the old Shepherd, "what fair swain is that talking with your daughter?" "They call him Doricles," replied the Shepherd. "He says he loves my daughter ; and to speak truth there is not a kiss to choose which loves the other best. If young Doricles can get her, she shall bring him that he little dreams of:" meaning the remainder of Perdita's jewels ; which, after he had bought herds of sheep with part of them, he had carefully hoarded up for her marriage-portion. Polixenes then addressed his son. "How now, young man!" said he: "your heart seems full of something that takes off your mind from feasting. When I was young, I used to load my love with presents; but you have let the pedlar go, and have bought your lass no toy." The young prince, who little though he was talking to the king his father, replied, "Old sir, she prizes not such trifles ; the gifts which Perdita expects from me are locked up in my heart." Then turning to Perdita, he said to her, "O hear me, Perdita, before this ancient gentleman, who it seems was once himself a lover ; he shall hear what I profess." Florizel then called upon his old stranger to be a witness to a solemn promise of marriage which he made to Perdita, saying to Polixenes, "I pray you, mark our contract." "Mark your divorce, young sir," said the king, discovering himself. Polixenes then reproached his son for daring to contract himself to this low-born maiden, calling Perdita "shepherd's brat, sheep-hock," and other disrespectful names; and threatening, if she ever suffered his son to see her again, he would put her and the old shepherd her father to a cruel death. The king then left them in great wrath, and ordered Camillo to follow him with prince Florizel. When the king had departed, Perdita, whose royal nature was roused by Polixene's reproaches, said, "Though we are all undone, I was not much afraid; and once or twice I was about to speak, and tell him plainly that the self-same sun which shines upon his palace, hides not his face from our cottage, but looks on both alike." Then sorrowfully she said, "But now I am awakened from this dream, I will queen it no farther. Leave me, sir ; I will go milk my ewes and weep." The kind-hearted Camillo was charmed with the spirit and propriety of Perdita's behaviour; and perceiving that the young prince was too deeply in love to give up his mistress at the command of his royal father, he though of a way to befriend the lovers, and at the same time to execute a favourite scheme he had in his mind. Camillo had long known that Leontes, the king of Sicily was become a true penitent ; and though Camillo was now the favoured friend of king Polixenes, he could not help wishing once more to see his later royal master and his native home. He therefore proposed to Florizel and Perdita, that they should accompany him to the Sicilian court, where he would engage Leontes should protect them, till through his
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Document ID ET-D434, Image 6 of 8
meditation they could obtain pardon from Polixenes, and his consent to their marriage. To this proposal they joyfully agreed ; and Camillo, who conducted everything relative to their flight, allowed the old shepherd to go along with them. The shepherd took with him the reminder of Perdita's jewels, her baby clothes, and the paper which he had found pinned to her mantle. After a prosperous voyage, Florizel and Perdita, Camillo and the old shepherd, arrived in safety at the court of Leontes. Leontes who still mourned his dead Hermione and his lost child, received Camillo with great kindness, and gave a cordial welcome to prince Florizel. But Perdita, whom Florizel introduced as his princess, seemed to engross all Leontes' attention : perceiving a resemblance bewteen her and his dead queen Hermione, his grief broke out afresh, and he said, such a lovely creature might his own daughter have been, if he had not so cruelly destroyed her. "And then too," said he to Florizel, "I lost the society and friendship of your brave father, whom I now desire more than my life once again to look upon." When the old shepherd heard how much notice the king had taken of Perdita, and that he had lost a daughter, who was exposed in infancy, he fell to comparing the time when he found the little PErdita with the manner of its exposure, the jewels and other tokens of its high birth; from all which it was impossible for him not to conclude, that Perdita and the king's lost daughter were the same. Florizel and Perdita, Camillo and the faithful Paulina, were present when the old shepherd related to the king the manner in which he found the child, and also the circumstances of Antigonus's death, he having seen the bear seize upon him. He showed the rich mantle in which Paulina remembered Hermione had wrapped the child; and he produced a jewel which she rememberd Hermione had tied about Perdita's neck, and he gave up the paper which Paulina knew to be the writing of her husband; it could not be doubted that Perdita was Leontes' own daughter; but oh! the noble struggles of Paulina, between sorrow for her husband's death, and joy that the oracle was fulfilled, in the king's heir, his long lost daughter, being found. When Leontes heard that Perdita was his daughter, the great sorrow that he felt that Hermione was not living to behold her child, made him that he could say nothing for a long time , but, "O thy mother, thy mother!" Paulina interrupted this joyful yet distressful scene, with saying to Leontes, that she had a statue, newly finished by that rare Italian master, Julio Romano, which was such by a perfect resemblance of the queen, that would his majesty be pleased to go to her house and look upon it, he would almost be ready to think it was Hermione herself. Thither then they all went; the king anxious to see the semblance of Hermione, and Perdita longing to behold what the mother she never saw looked like. When Paulina drew back the curtain which concealed this famous statue, so perfectly did it resemble Hermione, that all the king's sorry was renewed at the sight; for a long time he had no power to speak or move. "I like your silence, my liege," said Paulina; "it the more shows your wonder. Is not this statue like your queen?" At length the king said, "Oh, thus she stood, even with such majesty when I first wooed her. But yet, Paulina, Hermione was not so aged as this statue looks." Paulina replied "So much the more the carver's excellence, who has made the statue as Hermione would have looked had she been living now. But let me draw the curtain, sire, lest presently you think it moves." The king then said, "Do not draw the curtain! Would I were dead! See, Camillo, would you not think it breathed? Her eye seems to have motion in it." "I must draw the curtain, my liege," said Paulina. "You are so transported, you will persuade yourself the statue lives." "O, sweet Paulina," said Leontes, "make me think so twenty years together! Still methinks there is an air comes from her. What fine chisel could ever yet cut breath? Let no man mock me, for I will kiss her." "Good my lord, forbear!" said Paulina. "The ruddiness upon her lip is wet; you will stain your own with oily painting. Shall I draw the curtain?" "No, not these twenty years," said Leontes. Perdita, who all this time had been kneeling, and beholding in silent admiration the statue of her matchless mother, said now, "And so long could I stay here, looking upon my dear mother." "Either forbear this transport," said Paulina to Leontes, "and let me draw the curtain; or prepare yourself for more amazement, I can make the stature move indeed ; ay, and descend from off the pedestal, and take you by the hand. But then you will think, which I protest I am not, that I am assisted by some wicked powers." "What can you make her do," said the astonished king, "I am content to look upon. What you can make her speak, I am content to hear; for it is easy to make her speak as move." Paulina then ordered some slow and solemn music, which she had prepared for the purpose, to strike up; and to the amazement of all the beholders, the statue came down from the pedestal, and threw its arms around Leontes' neck, and blessed her husband and her child. No wonder ; for the statue was Hermione herself, the real, the living queen. Paulina had falsely reported to the king the death of Hermione, thinking that the only means to preserve her royal mistresses' life ; and with the good Paulina Hermione had lived ever since, never choosing Leontes should know she was living, till she heard Perdita was found; for though she had long forgiven the injuries which Leontes had done to herself, she could not pardon his cruelty to her infant daughter. His dead queen thus resorted to life, his lost daughter found, the long suffering Leontes could scarcely support the excess of his own happiness. Nothing but congratulations and affectionate speeches were heard on all sides. Now the delighted parents thanked prince Florizel for loving their lowly-seeming daughter; and now they blessed the good old shepherd for preserving their child. Greatly did Camillo and Paulina rejoice, that they had lived to see so good an end of all their faithful services. And as if nothing should be wanting to complete this strange and unlooked-for joy, king Polixenes himself now entered the palace. When Polixenes first missed his son and Camillo, knowing that Camillo had long wished to return to Sicily, he conjectured he should find the fugitives here; and, following them with all speed, he happened to arrive just at this, the happiest moment of Leontes' life. Polixenes took a part of the general joy; he forgave his friend Leontes the unjust jealousy he had conceived against him, and they once more loved each other with all the warmth of their first boyish friendship. And there was no fear that Polixenes would no oppose his son's marriage with Perdita. She was no "sheep-hook" now, but the heiress to the crown of Sicily. This have we seen the patient virtues of the long-suffering Hermione rewarded. That excellent lady lived many years with her Leontes and her Perdita, the happiest of mothers and queens.
© Image copyright The National Trust 2024
Document ID ET-D434, Image 7 of 8
Mr. Tree on Tour. Colnel Newcome, Business is Business, The Man Who Was.Date Town Theatre September 3 Blackpool – Grand Theatre, September 1- Newcastle – Tyne Theatre, September 17 Glasgow – Theatre Royal, September – 24 Edinburgh – Lyceum Theatre, October 1 Dublin – Theatre Royal, October 8 Manchester – Theatre Royal, October 15 Liverpool – Shakespeare Theatre, October 22 – Birmingham – Theatre Royal.The Annual Shakespeare Festival will be held at His Majesty's Theatre Monday, April 22nd to Saturday, May 4th, 1907.
No fees.The Management does not permit fees to be received by any attendant in the Theatre, and hopes that the public will assist in enforcing this rule, which has been made for their comfort. The safety curtain will be lowered in the presence of the audience once during each performance. Extracts from the rules made by the Lord Chamberlain – the name of the actual and responsible manager of the theatre must be printed on every play bill. The public can leave the theatre at the end of the performance by all exit and entrance doors, which must open outwards. Where there is a fireproof screen to the proscenium opening, it must be lowed at least once during every performance to ensure its being in proper working order. Smoking is not permitted in the auditorium. All gangways, passages, and staircases must be kept free from chairs or any other obstructions, whether permanent or temporary. Sole Proprietor – Mr. Tree. Warrington & Co (By Royal Warrant to His Majesty), Garrick Street.
seems to have motion in it." "I must draw the curtain, my liege," said Paulina. "You are so transported, you will persuade yourself the statue lives." "O, sweet Paulina," said Leontes, "make me think so twenty years together! Still methinks there is an air comes from her. What fine chisel could ever yet cut breath? Let no man mock me, for I will kiss her." "Good my lord, forbear!" said Paulina. "The ruddiness upon her lip is wet; you will stain your own with oily painting. Shall I draw the curtain?" "No, not these twenty years," said Leontes. Perdita, who all this time had been kneeling, and beholding in silent admiration the statue of her matchless mother, said now, "And so long could I stay here, looking upon my dear mother." "Either forbear this transport," said Paulina to Leontes, "and let me draw the curtain; or prepare yourself for more amazement, I can make the stature move indeed ; ay, and descend from off the pedestal, and take you by the hand. But then you will think, which I protest I am not, that I am assisted by some wicked powers." "What can you make her do," said the astonished king, "I am content to look upon. What you can make her speak, I am content to hear; for it is easy to make her speak as move." Paulina then ordered some slow and solemn music, which she had prepared for the purpose, to strike up; and to the amazement of all the beholders, the statue came down from the pedestal, and threw its arms around Leontes' neck, and blessed her husband and her child. No wonder ; for the statue was Hermione herself, the real, the living queen. Paulina had falsely reported to the king the death of Hermione, thinking that the only means to preserve her royal mistresses' life ; and with the good Paulina Hermione had lived ever since, never choosing Leontes should know she was living, till she heard Perdita was found; for though she had long forgiven the injuries which Leontes had done to herself, she could not pardon his cruelty to her infant daughter. His dead queen thus resorted to life, his lost daughter found, the long suffering Leontes could scarcely support the excess of his own happiness. Nothing but congratulations and affectionate speeches were heard on all sides. Now the delighted parents thanked prince Florizel for loving their lowly-seeming daughter; and now they blessed the good old shepherd for preserving their child. Greatly did Camillo and Paulina rejoice, that they had lived to see so good an end of all their faithful services. And as if nothing should be wanting to complete this strange and unlooked-for joy, king Polixenes himself now entered the palace. When Polixenes first missed his son and Camillo, knowing that Camillo had long wished to return to Sicily, he conjectured he should find the fugitives here; and, following them with all speed, he happened to arrive just at this, the happiest moment of Leontes' life. Polixenes took a part of the general joy; he forgave his friend Leontes the unjust jealousy he had conceived against him, and they once more loved each other with all the warmth of their first boyish friendship. And there was no fear that Polixenes would no oppose his son's marriage with Perdita. She was no "sheep-hook" now, but the heiress to the crown of Sicily. This have we seen the patient virtues of the long-suffering Hermione rewarded. That excellent lady lived many years with her Leontes and her Perdita, the happiest of mothers and queens.
© Image copyright The National Trust 2024
Document ID ET-D434, Image 8 of 8
Mr. Tree on Tour. Colnel Newcome, Business is Business, The Man Who Was.Date Town Theatre September 3 Blackpool – Grand Theatre, September 1- Newcastle – Tyne Theatre, September 17 Glasgow – Theatre Royal, September – 24 Edinburgh – Lyceum Theatre, October 1 Dublin – Theatre Royal, October 8 Manchester – Theatre Royal, October 15 Liverpool – Shakespeare Theatre, October 22 – Birmingham – Theatre Royal.The Annual Shakespeare Festival will be held at His Majesty's Theatre Monday, April 22nd to Saturday, May 4th, 1907.
No fees.The Management does not permit fees to be received by any attendant in the Theatre, and hopes that the public will assist in enforcing this rule, which has been made for their comfort. The safety curtain will be lowered in the presence of the audience once during each performance. Extracts from the rules made by the Lord Chamberlain – the name of the actual and responsible manager of the theatre must be printed on every play bill. The public can leave the theatre at the end of the performance by all exit and entrance doors, which must open outwards. Where there is a fireproof screen to the proscenium opening, it must be lowed at least once during every performance to ensure its being in proper working order. Smoking is not permitted in the auditorium. All gangways, passages, and staircases must be kept free from chairs or any other obstructions, whether permanent or temporary. Sole Proprietor – Mr. Tree. Warrington & Co (By Royal Warrant to His Majesty), Garrick Street.
© Image copyright The National Trust 2024
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Document ID: ET-D434 Archive location: ET PROGS ET-D418a-551;561a-589, 1899-1911 (BL) Loan 125/23A/1
